The project, set up by Writing on the Wall with the backing of the Heritage Lottery Fund, celebrates and preserves the legacy of the Liverpool born writer, George Garrett (1896-1966)
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Ten Years On The Parish: The Autobiography and Letters of George Garrett
‘Garrett was all about truth. He worked hard to discover truth.
He worked harder to express it. And most of all, he lived it.
And that’s why you should read this book.’
Frank Cottrell-Boyce, from the foreword to Ten years On The Parish.
Ten Years On The Parish, published here for the first time since it was written in the late 1930s, shines a light on the hardships and poverty endured by many in the years between the wars, including Garrett, who through his writing and his activism, became central to working class politics and culture in the 1920s and 30s in Liverpool and beyond.
Garrett also wrote a series of documentary reports about poverty and struggle in the 1920s and 30s, lived in New York in the mid-1920s, writing three plays influenced by the new theatre of Eugene O'Neill, and had a series of short stories published in the 1930s alongside literary greats WH Auden, Stephen Spender, Christopher Isherwood and George Orwell. In the late 1930s he was a founder member of Liverpool's Unity Theatre.
In Ten Years On The Parish Garrett touches upon his time in New York in the early 1920s, gives a graphic account of the unemployed struggles in Liverpool, including The First Hunger March in 1922, and reveals how he personally, as well as others in the working classes, struggled to survive in Liverpool through the great depression of the 1930s.
Published alongside Ten Years On The Parish are a series of letters exchanged from January 1935 to July 1940 between Garrett and New Writing Editor John Lehmann, which reveal a unique insight into the relationship between a working-class writer and his editor.
Both original texts have extensive introductions by the editors Mike Morris, tony Wailey and Andrew Davies, as well as a foreword by Frank Cottrell-Boyce, which establishes the context and importance of Garrett's work.
This publication gives long-overdue credence to Garrett's importance as a writer and radical, who has come to be regarded as ‘The most significant working-class writer of his generation.’
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